Using Yamaha Mixing Desks (QL/CL/LS-9/TF) I’ve mixed Conferences, Dinners/Banquets and Events of varying sizes, from a single Lectern Mic to 12+ Lapel Mics with a Choir and multiple Feeds to Cameras, Records, other onsite locations and Outside Broadcast.
I am comfortable with Allen & Heath Qu Series (16, 24 and 32) & the SQ Series (SQ5) digital desks for Breakout Sessions and Main Rooms as well as a number of Analogue Desks from different manufacturers.
With a solid grasp of Signal Flow and Gain Structure I can turn my hand to most Desks and Applications.
Using Yamaha Mixing Desks (QL/CL/LS-9/TF) I’ve mixed Conferences, Dinners/Banquets and Events of varying sizes, from a single Lectern Mic to 12+ Lapel Mics with a Choir and multiple Feeds to Cameras, Records, other onsite locations and Outside Broadcast.
I am comfortable with Allen & Heath Qu Series (16, 24 and 32) & the SQ Series (SQ5) digital desks for Breakout Sessions and Main Rooms as well as a number of Analogue Desks from different manufacturers.
With a solid grasp of Signal Flow and Gain Structure I can turn my hand to most Desks and Applications.
They don’t crop up in Corporatate very often but I am also comfortable working on a Digico SD series desk but I’d appreciate a bit of warning ahead of the Gig so I can get back into the Workflow of that particular model 😀
And more besides…
Working mainly in Conference and the Corporate environment, more and more DSP is built into the Desk so I’m encountering less and less Outboard kit but I have experience of using the usual suspects: Graphic EQ’s, Compressors, Gates, Effects and Speaker Management Systems/Delay Units.
QLab is never away from my side when I’m operating a show; from a simple bit of Background Music and maybe an Emergency Announcement to a full show of Cues and Stings.
Drop me a line if you want to learn more and see if I’m a good fit for your gig…